In a world leaning ever more toward fast everything, Trove offers a compelling counterpoint—an exquisitely curated gallery of handcrafted objects that feel more like wearable art for your home. Founded by tastemaker Hadas Saar, Trove brings together over 40 master artisans from around the globe, spotlighting pieces that are sculptural, story-rich, and rooted in cultural heritage.
Much like couture, Trove is about more than just aesthetics—it’s about slow design, meaningful craftsmanship, and the magic that happens when fashion sensibility meets timeless interiors. We caught up with Hadas to talk about her journey, the artisans shaping the collection, and why Trove is capturing the imagination of design lovers everywhere. —Noa Nichol



1. What inspired the creation of Trove, and how did your journey into curating globally handcrafted objects begin?
After working at an architecture/interior design firm as Director of Communication for 10 years; I realized that what I loved the most about my job was finding unknown makers from around the world and curating their handmade objects. I loved finding makers that had interesting stories and that shared my values for elevating the appreciation for handmade decor, honoring traditional craftsmanship, and sustainability. I wanted to find a way to showcase these exceptional pieces via storytelling and imagery… that is how Trove came to be.
2. Trove blends fashion-forward aesthetics with artisanal craftsmanship—how do you approach curating pieces that feel both timeless and on trend?
Early on, I learned that the classic never goes out of style. Elegance and craftsmanship truly do not have an expiration date. As such, I have learned to trust my gut and my eye. As the number of makers in the collection has grown, it remains quite important to take into account the cohesive nature of how the pieces compliment one another.
3. How do you find and select the artisans you work with? What qualities or philosophies are non-negotiable when it comes to joining the Trove family?
I spend hours upon hours digging deep on the internet. Oftentimes, that includes researching participants at design fairs around the world, reading small, obscure publications that put craftsmanship at the forefront, and noticing the “small print” and credits that most people glaze over. For me, it is vital that the makers produce only by hand and that they make it a point to honor traditions that were founded centuries ago. In addition, as sustainability has become more vital to consider due to our changing environment, my makers must also work in a sustainable manner whenever possible.
4. Many of your pieces are described as “functional sculpture.” Can you share your thoughts on the importance of storytelling and soul in everyday objects?
I am so glad that you picked up on that phrase because I love it! I like to think of my objects as vessels of visual storytelling. Part of the reason I believe that my objects have such an artisanal quality is because the maker himself has so much to tell via his work. Think of how an author tells his tale… it is essentially the same with these artists who weave their story with their fingerprints.
5. Trove champions slow design and sustainability. How do you see consumer values shifting toward more intentional, handcrafted home décor?
I love that the design work is starting to focus on championing the importance of the handcrafted vs the mass-produced. This trend has been on the rise for several years; perhaps the mentality started to shift after Covid when people spent a lot of time in their homes and realized the importance of surrounding themselves with authenticity. I also think that as our culture begins to value experiences over materiality, there is a desire to bring that parallel into your home by enveloping in creations that were made by hand.
6. With makers from over 20 countries, what common thread connects the artisans you showcase through Trove?
Currently, we have makers from 17 countries and a few more that we are going to be “on-boarding” soon. The commonality between all our makers is that they all prioritize authenticity above all else. Each maker has found a unique way to incorporate their craftsmanship with traditions that have been around for centuries. In addition, I believe that most of the objects on the site are fitting compliments to each other aesthetically.
7. You currently work with four Canadian makers. What excites you about the Canadian design scene, and can you share a bit about the work or ethos of any of these local talents?
The four amazing Canadian makers on our site all prioritize sustainable practices by working with reclaimed wood, natural finishes, and eco-conscious methods. I’ve found this unique group of makers has a deep respect for materials; however, they push the boundaries of the materials in unusual and unexpected ways. The result is that the work feels both modern and grounded… yet sophisticated and inviting.
For this collaboration, we are excited that the prize is a gorgeous piece by the Vancouver-based Michelle Grimms. For me, the most fascinating takeaway is that her work is 100% dependent on the weather. Something I never considered was that fire-bans have an effect on ceramicists… thus, Michelle creates her work during a certain time of year, yet she fires during the cooler months when the bans are not in place.
8. How do you see the relationship between personal style and interior design evolving—especially as more people seek to express themselves through their homes?
I hope that the trend between personal style and interior design continues to evolve as people see their homes as an extension of their individual identities. Rather than following trends, I am finding that homeowners are increasingly curating spaces that feel personal, meaningful, and reflective of their core values. As the world grows more and more global, blending in family heirlooms or handcrafted objects found during travel has become more and more relevant.
9. Trove’s collection is not only beautiful but deeply rooted in heritage and craftsmanship. Do you have a favourite piece or story that truly captures what Trove stands for?
Hmmm- that would be like choosing my favorite child. However I have several pieces that I love for nostalgic reasons. I always find myself drawn to Lucia’s vessels because they appear so sculptural even though they are functional pieces. In particular, I love Lucia’s Ailes Noir vessel’s lines… and I literally smile each time I walk by it on my fireplace mantle. I also love Noe’s pieces because they have such strength and history interwoven within them. I’ve loved getting educated on Japanese folklore from centuries ago that Noe beautifully weaves into her ceramic sculptures!
10. What’s next for Trove? Any exciting collaborations, product launches, or expansion plans on the horizon?
Currently, we are busy with marketing efforts and connecting with those who appreciate the authenticity that our makers bring into their work. We have several makers that we are planning on on-boarding within the next couple of months that I am especially excited about because they work in different mediums which will be a great addition to our current collection. Finally, we’ve spoken a bit about a true brick-and-mortar location in Chicago; but that may be something to circle back to in 2026. For the moment, we want to ensure that what we are doing is precisely as we imagine, and that we’re presenting our makers in the best possible way.
- Photo credit: Jarusha Brown
- Artist credit: Michelle Grimm
Win! $180 Wood Fired Vessel no 085!
Congrats Siobhan B. of Sherwood Park, AB, who will receive from Trove a Wood Fired Vessel no 085. Description: Hand made vessel with interior liner glaze and exterior decorative slip. Vessel has been fired for 120 hours in an Anagama kiln. Holds water! Please note: if you are the winner, you will receive a DM (direct message) in Instagram directly from @vitadailymedia. Please be wary of fake accounts, which often use similar handles with an extra or missing letter, number or symbol. We will never ask for a payment or for your credit card number, and we will never ask you to click through a link. If you are unsure whether you have been contacted, via Instagram, by us or a fake account, email us before responding.

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